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We’ve updated our Terms of Use. You can review the changes here.

Glitch 111 EP

by Fake Plastic Heads

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1.
Gde u tri pičke materine je taj Glitch 111? (Fake Plastic Head) GLITCH 111 (Daisy Skull) (Fake Plastic Head) I was walking down the road - I thought as I crossed your path I saw this flickering in your eye nice, I said to myself - where did you hide? why did it take so long? why did you take your time? (Daisy Skull) lick, lick, up, way down between the tides the kids are alright (Fake Plastic Head) shining bright, full bloom, spots here and there I need to get to know you first can I take a breath or two? just to be in one room with you? (Daisy Skull) between the sheets, yes, next page please open random gatherings sounds, soothing, we do the next thing, again and again (Fake Plastic Head) keep smiling, it's a tough job - I know keep laughing, make your day a Chaplin thing keep singing, let the whole world cling to your lips and hips and thighs we're tired of all their lies. (Daisy Skull) we do the next thing, again and again repeat, absorb go to 10 run
2.
Gde u tri pičke materine je taj Glitch 111? (Fake Plastic Head) GLITCH 111 (Daisy Skull) (Fake Plastic Head) I was walking down the road - I thought as I crossed your path I saw this flickering in your eye nice, I said to myself - where did you hide? why did it take so long? why did you take your time? (Daisy Skull) lick, lick, up, way down between the tides the kids are alright (Fake Plastic Head) shining bright, full bloom, spots here and there I need to get to know you first can I take a breath or two? just to be in one room with you? (Daisy Skull) between the sheets, yes, next page please open random gatherings sounds, soothing, we do the next thing, again and again (Fake Plastic Head) keep smiling, it's a tough job - I know keep laughing, make your day a Chaplin thing keep singing, let the whole world cling to your lips and hips and thighs we're tired of all their lies. (Daisy Skull) we do the next thing, again and again repeat, absorb go to 10 run
3.
Gde u tri pičke materine je taj Glitch 111? (Fake Plastic Head) GLITCH 111 (Daisy Skull) (Fake Plastic Head) I was walking down the road - I thought as I crossed your path I saw this flickering in your eye nice, I said to myself - where did you hide? why did it take so long? why did you take your time? (Daisy Skull) lick, lick, up, way down between the tides the kids are alright (Fake Plastic Head) shining bright, full bloom, spots here and there I need to get to know you first can I take a breath or two? just to be in one room with you? (Daisy Skull) between the sheets, yes, next page please open random gatherings sounds, soothing, we do the next thing, again and again (Fake Plastic Head) keep smiling, it's a tough job - I know keep laughing, make your day a Chaplin thing keep singing, let the whole world cling to your lips and hips and thighs we're tired of all their lies. (Daisy Skull) we do the next thing, again and again repeat, absorb go to 10 run
4.
Gde u tri pičke materine je taj Glitch 111? (Fake Plastic Head) GLITCH 111 (Daisy Skull) (Fake Plastic Head) I was walking down the road - I thought as I crossed your path I saw this flickering in your eye nice, I said to myself - where did you hide? why did it take so long? why did you take your time? (Daisy Skull) lick, lick, up, way down between the tides the kids are alright (Fake Plastic Head) shining bright, full bloom, spots here and there I need to get to know you first can I take a breath or two? just to be in one room with you? (Daisy Skull) between the sheets, yes, next page please open random gatherings sounds, soothing, we do the next thing, again and again (Fake Plastic Head) keep smiling, it's a tough job - I know keep laughing, make your day a Chaplin thing keep singing, let the whole world cling to your lips and hips and thighs we're tired of all their lies. (Daisy Skull) we do the next thing, again and again repeat, absorb go to 10 run

credits

released June 22, 2019

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Fake Plastic Heads Munich, Germany

Fake Plastic Heads is the "band-project" of Charles S. K.
The main focus lies on the translation of inner most feelings into something organic - that would last in the head of the listener. The dark and often industrial soundscapes serve as a basis for complex structures of sounds and noise.
It's an approach trying to reduce the impact of suffering.
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